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“The Desert Song” at Winter Opera St. Louis
Dario Salvi Dario Salvi

“The Desert Song” at Winter Opera St. Louis

In his Encyclopedia of Musical Theatre, historian Stanley Green described it as “the most durable of all Bway [sic] operettas.” In Operetta: A Theatrical History, Richard Traubner called it “one of the 1920s’ greatest operettas.”

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A spectacular blend of skating and singing beguiles audiences
Hannah Salvi Hannah Salvi

A spectacular blend of skating and singing beguiles audiences

Imagine the stage at the Royal Opera House Muscat extended over the pit, iced over and turned into a giant skating rink. Then imagine the impeccable Prague Philharmonia, Muscat’s favourite orchestra, placed at the back of the stage on a raised platform, under guest conductor Dario Salvi. The magical worlds of ice-skating and first-class opera with multi-media effects were presented by Willy Bietak Productions last weekend.

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Salvi makes American debut with two operatic rarities

Salvi makes American debut with two operatic rarities

Concert Operetta Theater moved into new artistic territory with its November production of two unfamiliar operettas. Daniel Pantano’s Philadelphia company teamed up with a European organization led by Dario Salvi devoted to the preservation of neglected music. Their similar interests came together with a double bill of operettas not heard in America in a century.

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